The Hybrid Lab: NCC Akron
Jul
29
to Aug 2

The Hybrid Lab: NCC Akron

In collaboration with National Choreographic Center at University of Akron’s Dancing Labs Program and supported by the National Endowment for the Arts, Amy O is bringing together a cohort of street dance practitioners from the East and West coasts who have been making performance work in theater spaces in different ways for a decade or longer. Invited artists will share about their work and dance lives, rest, eat, explore, and connect. This first cohort is comprised of Nicole Klaymoon of Embodiment Project, d. Sabela Grimes, dani tirrell, Tatiana Desardouin of Passionfruit Dance, Raphael Xavier of Olive Dance Theater, Michel Byrd -McPhee of Ladies of Hip Hop, and Ephrat Asherie of Ephrat Asherie Dance.

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Jul
23
6:30 PM18:30

Velocity Artist Circle Get Together

Initiated by the Artist Circle, the Get-Together invites dance artists, producers, supporters, and organizers to share space and deepen their connections during the Seattle Festival of Dance and Improvisation (SFD+I).  Afterwards, (because what’s a Get-Together without a little party?) there will be a mixer supported by the delectable sounds of DJ Mac Tray!

 

How the Event Will Flow: 

There will be an intro to discussion by Velocity Curating Artist in Residence Amy O’Neal.  This will be followed by community conversations first in facilitated small group discussions with Artist Circle members Nia-Amina Minor, Jim Kent, Hannah Simmons, and Tracey Wong.  We will then turn to a larger group discussion followed by some music and decompression.  We can’t wait to see you there and learn from your perspectives!

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Seattle BASE Residency: Entry Point Showing
Jul
18
8:00 PM20:00

Seattle BASE Residency: Entry Point Showing

Amy O was awarded a two week creative residency at BASE in Seattle to research her next evening length work “Again, There is No Other: The Remix”. Joining her are long time Seattle dance collaborator, Ellie Sandstrom exploring duet material and Nia-Amina Minor (Seattle), Annie Franklin (Chicago), Tracey Wong (Seattle), and Amaria Stern (LA). The group will explore experimental tropes and movement concepts from from Amy O’s prolific body of work exploring society constructs of the performance of race and gender. Showing is free. RSVP is required.

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Yes And...Workshop Series
Mar
7
6:30 PM18:30

Yes And...Workshop Series

Amy O will be in Seattle teaching Yes And…a workshop series exploring the creative similarities and differences between Improvisation (the terminology and practice associated with Modern, Contemporary, Contemporary Ballet, Theaater making, experimental performance art) and Freestyle ( the terminology, practice, and technique of street and club dance aka Black social dance aka popping, locking, breaking, house, waacking and many other forms that emerge from Black and Brown communities through decades and decades of US history)Info and Registration

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The Hybrid Lab: Seattle
Oct
5
to Oct 7

The Hybrid Lab: Seattle

Amy O brought her curatorial platform The Hybrid Lab: Conversations in Merging Dance Cultures to Seattle through a co production with Velocity Dance Center.

Invited artists: Reverend Solvej Amelia Noa, Dufon “Orb” Smith, Alfredo “Free” Vergara, Majiin O’Neal, Maia Durfee, Tracey Wong, Gaby Colon, and Daniel Day. With Amy O’Neals work “A Trio” performed by Amy O’Neal, Amaria Stern, and Nia-Amina Minor. With DJ WD4D and lighting design by Amiya Brown.

Supported by John Robinson.

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The Hybrid Lab: LA
Jun
10
7:00 PM19:00

The Hybrid Lab: LA

Amy produced her curatorial platform The Hybrid Lab: Conversations in Merging Dance Cultures at Stomping Ground LA June 10 2023

Invited artists: d Sabela Grimes, Adryn Flynt, Satori Folkes-Stone, Stephen & Aisha, G’Bari Gilliam, and Amy O’s work “A Trio” performed by Amy O, Ardyn Flynt, Satori Folkes-Stone, and Amaria Stern.

Lighing design by Chu Hsin Chang and Sound Op by Darby Eperson.

Underwritten by Joh Robinson.

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Social Impact Residency at The Reach/The Kennedy Center
Oct
24
to Oct 28

Social Impact Residency at The Reach/The Kennedy Center

Amy O was invited by Marc Bamuthi Joseph to have a weeklong residency at The Reach at The Kennedy Center as part of the Office Hours/Social Impact Residency Program. Amy brought LA based dancer Ardyn Flynt, and NYC based dancer, Satori Folkes-Stone, to evolve Amy's ongoing current choreographic work, A Trio. Along with dani tirrell, Amy co curated a version of The Hybrid Lab at The Reach for DMV based artists who are merging street dance forms within the contemporary performance context.

Invited artists were: Project ChaArma, Chitra Moves, Holly Bass, and Lauren DeVera/The Lion’s Den.

Each artists shared work and we had a circle conversation with a few Kennedy Center administrators, curators, and friends about presenting our work inside of predominantly white institutions.

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Amy O at Seattle Festival of Dance + Improvisation
Aug
11
9:30 AM09:30

Amy O at Seattle Festival of Dance + Improvisation

Amy O will be teaching a drop in class for the Seattle Festival of Dance + Improvisation. The Rhythm Assembly is an improvisation techniques class merging hip hop and contemporary dance to explore various perceptions of rhythm. Amy is a dancer, choreographer, curator, and educator merging the social and exploratory natures of hip hop and contemporary dance since 2000 to challenge notions of race, gender, and the sampling nature of creativity. She brings 20 plus years of experience in contemporary dance forms, contact improvisation, hip hop party dances, house dance, and multiple approaches to improvisation from the studio, the club, the battle, the screen, and the stage.

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Amy O at Seattle Festival of Dance + Improvisation
Aug
7
6:00 PM18:00

Amy O at Seattle Festival of Dance + Improvisation

Amy O will be facilitating the opening improvisation jam for the Seattle Festival of Dance + Improvisation produced by Velocity Dance Center. Amy is a dancer, choreographer, curator, and educator merging the social and exploratory natures of hip hop and contemporary dance since 2000 to challenge notions of race, gender, and the sampling nature of creativity. She brings 20 plus years of experience in contemporary dance forms, contact improvisation, hip hop party dances, house dance, and multiple approaches to improvisation from the studio, the club, the battle, the screen, and the stage.

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House Dance Explorations Workshop w Amy O'Neal and Moncell Durden
Jul
14
5:00 PM17:00

House Dance Explorations Workshop w Amy O'Neal and Moncell Durden

Born in the Black and Brown queer night clubs of Detroit, Chicago, and New York City, in the early 1970’s, House dance has become a global phenomenon connecting people of all identities and cultures.  This two-day workshop explores historical context, practices, foundational drills, cypher/improvisation psychology, and the hybridization of forms that make House dance what it is. Amy and Moncell will merge and exchange their combined experiences in multiple dance forms and practices to facilitate this exploration. Open to all levels of practitioner and all dance styles/forms. Bring some water and a towel. The floor at Stomping Ground is marley, so bring some kicks with clean slick soles or some socks you like to dance in. BIPOC and LGBTQIA+ affirming.

Proof of vaccination or negative covid test is required. Masks are optional but highly recommended. The space is open and breezy with space to distance if needed. 

Amy and Moncell are both on faculty at the University of Southern California Glorya Kaufman School of Dance and are in regular conversation and collaboration in their teaching practices. They bring multiple perspectives to the practice of House and honor the history and lineage of the form while encouraging the evolution of the culture.

MONCELL DURDEN is a dance educator, choreographer, ethnographer, embodied historian, author and associate professor of practice at University of Southern California Glorya Kaufman International School of Dance. Moncell specializes in pedagogical practices that prove cultural and historical context in what he calls the morphology of Afro-kinetic memory. Moncell teaches practical and theoretical classes in the U.S. and abroad; an expert in locking, house, hip-hop, authentic jazz, and party dances from 1900 to the present. He has published articles in Jazz Dance: A History of the Roots and Branches and the Encyclopedia of African Cultural Heritage in North America, Rooted Jazz Dance, and the Oxford Handbook of Hip Hop Dance. 

 AMY O’NEAL is a dancer, choreographer, curator, and educator merging the social and exploratory natures of hip hop culture and contemporary dance since 2000 to challenge notions of race, gender, and the sampling nature of creativity. She has toured her experimental concert dance work nationally and internationally and works in music videos, film, and virtual reality. She is the founder of The Hybrid Lab: Conversations in Merging Dance Cultures, a new production hub for creation, curation, and education. Amy is on faculty at the University of Southern California Glorya Kaufman School of Dance where she teaches technique classes in hip hop, house, contemporary, improvisation, composition, bodyweight fitness, and lectures on Black social dance history, culture, and media literacy. She continues to work to acknowledge her positionality to Black social dance culture as a guest practitioner, educator, and advocate.

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House Dance Explorations Workshop w Amy O'Neal and Moncell Durden
Jul
13
5:00 PM17:00

House Dance Explorations Workshop w Amy O'Neal and Moncell Durden

Born in the Black and Brown queer night clubs of Detroit, Chicago, and New York City, in the early 1970’s, House dance has become a global phenomenon connecting people of all identities and cultures.  This two-day workshop explores historical context, practices, foundational drills, cypher/improvisation psychology, and the hybridization of forms that make House dance what it is. Amy and Moncell will merge and exchange their combined experiences in multiple dance forms and practices to facilitate this exploration. Open to all levels of practitioner and all dance styles/forms. Bring some water and a towel. The floor at Stomping Ground is marley, so bring some kicks with clean slick soles or some socks you like to dance in. BIPOC and LGBTQIA+ affirming.

Proof of vaccination or negative covid test is required. Masks are optional but highly recommended. The space is open and breezy with space to distance if needed. 

Amy and Moncell are both on faculty at the University of Southern California Glorya Kaufman School of Dance and are in regular conversation and collaboration in their teaching practices. They bring multiple perspectives to the practice of House and honor the history and lineage of the form while encouraging the evolution of the culture.

MONCELL DURDEN is a dance educator, choreographer, ethnographer, embodied historian, author and associate professor of practice at University of Southern California Glorya Kaufman International School of Dance. Moncell specializes in pedagogical practices that prove cultural and historical context in what he calls the morphology of Afro-kinetic memory. Moncell teaches practical and theoretical classes in the U.S. and abroad; an expert in locking, house, hip-hop, authentic jazz, and party dances from 1900 to the present. He has published articles in Jazz Dance: A History of the Roots and Branches and the Encyclopedia of African Cultural Heritage in North America, Rooted Jazz Dance, and the Oxford Handbook of Hip Hop Dance. 

 AMY O’NEAL is a dancer, choreographer, curator, and educator merging the social and exploratory natures of hip hop culture and contemporary dance since 2000 to challenge notions of race, gender, and the sampling nature of creativity. She has toured her experimental concert dance work nationally and internationally and works in music videos, film, and virtual reality. She is the founder of The Hybrid Lab: Conversations in Merging Dance Cultures, a new production hub for creation, curation, and education. Amy is on faculty at the University of Southern California Glorya Kaufman School of Dance where she teaches technique classes in hip hop, house, contemporary, improvisation, composition, bodyweight fitness, and lectures on Black social dance history, culture, and media literacy. She continues to work to acknowledge her positionality to Black social dance culture as a guest practitioner, educator, and advocate.

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New Original Works Festival at REDCat
Oct
21
to Oct 23

New Original Works Festival at REDCat

  • Roy and Ed Disney/CalArts Theater (map)
  • Google Calendar ICS

Amy O’Neal is premiering a new work on the third weekend at the New Original Works Festival October 21-23 at 8:30 pm 2021. Her new work “There is No Other (The Remix)” samples from choreographic structures, concepts, and fashion from her body of work exploring societal constructs of gender. Through the merging of Black social dance practices from Hip Hop and House and contemporary dance and performance, she asks are we hardwired to perceived gender from movement alone? If race is intrinsically tied to how we perceive gender, can we be a post-gender society when we are far from a post-race society? This work is presented on a shared evening with two other artists: Jobel Medina and Jasmine Orpilla.

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Oct
8
7:30 PM19:30

Fall New Works at USC Kaufman

  • USC Glorya Kaufman School of Dance (map)
  • Google Calendar ICS

The class of 2025 perform new work by Patrick Corbin and the class of 2024 perform work by Amy O’Neal in a collaborative evening where each choreographer explores their relationship to dance club culture spanning generations, genres, and dance forms. Designed to bring us all together after dancing online for 18 months during the covid pandemic, the evening centers healing, catharsis, and joy.

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Oct
6
7:30 PM19:30

Cypher Celebration at USC Kaufman

  • USC Glorya Kaufman School fo Dance (map)
  • Google Calendar ICS

October 6-7 2021 at 7:30 pm. Centering Hip-Hop and Black dance practices at USC Kaufman, Cypher Celebration will highlight the sophistication and creativity of real-time Improvisation/Freestyle in this live performance exchange of movement ideas and forms. Organized by faculty hip hop lecturer Amy O’Neal.

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The Rhythm Assembly: Dancing Our Influences
Jul
20
to Jul 22

The Rhythm Assembly: Dancing Our Influences

3 Day Intensive offered as part of The Seattle Festival of Dance and Improvisation produced by Velocity Dance Center. The intensive will be in person in Seattle and online.

The Rhythm Assembly: Dancing Our Influences is an intentional investigation into the sampling nature of creating dance in the moment of improvisation/freestyle or in a choreographic process and to your position to the cultures that inspire you. Our individual cultural lens affects the way we perceive the world and our relationship to it. Through the merging of hip hop and contemporary improvisation methods and compositional tools, we will strive to make more culturally informed and empowered choices. The complex nuances of appropriation/appreciation will be acknowledged but is not the focus of this intensive. Neither hip hop or contemporary dance experience are necessary or expected. For pre professional and professional dance artists from any dance culture or form.

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